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Renaud PATIGNYPiano, Compositions, Vocal...not just because he plays a style of music that had its heyday seven decades ago, but because he does it with the depth and maturity of a gray- haired veteran. "THE READER" (CHICAGO) NOVEMBER 30th 2001 |
At age 16 he moved further toward his musical career. It was then that he has attended, together with his brother Tristan, a session of jazz history, given at school by the Pol CLOSSET Trio with Marc HÉROUET (piano) and Bob DARTSCH (drums). His vocation took shape.
| FROM THE CHICAGO TRIBUNE, DECEMBER 6, 2001 Belgian boogie-woogie expert Renaud Patigny and Chicago Reginald Robinson - have proven that there's plenty of creative potential left in historic musical forms. |
Renaud PATIGNY is an selftaught musician with a very fine tuned ear and much like uncle's Paul fingers, his also fly over the keys of the piano.
By now, he has a track record of some 1000 concerts, in Belgium and abroad
He is the composer for "Ciné Follies", a series of 100 clips shown over RTL, BRT, RTP, ARD,
in Africa and Scandinavia.
He composed music for Christian MESNIL.
And last but not least, composed the sound track for the film" A CHACUN SON CINÉMA" BY
Jean-Noël GOBRON.
Renaud PATIGNY is specialised in transcribing original jazz master pieces and blues
from old 78 rpm records.
He even realised a transcription of cadences by Arthur GRUMIAUX.
His own founded quintet SQUEEZE ME plays traditional jazz style using new compositions.
| FROM THE CHICAGO TRIBUNE, DECEMBER 6, 2001 ...when a pianist such as Patigny applies all his energies to the genre, the rewards can be enormous, as the evening ovations suggested. |
1987 | NUNUSSE (45 TOURS AUTOPRODUCTION) | |
1992 | SALUTE TO UNCLE BIJOU (CD AUROPHON) | |
1997 |
| TRITONS DANCE (CD) |
1998 |
| RENAUD PATIGNY LIVE 98 |
2001 |
| TRIBUTE TO THE GIANTS "THE READER" (CHICAGO) NOVEMBER 30TH 2001 CRITIC'S CHOICE (David Whiteis) Though boogie-woogie was castigated in its days as "primitive" Patigny's articulate attack (not to mention the clarity of his recordings relative to the originals) makes plain how artful it really was... Patigny himself shines brightest on more mediative numbers: his rendition of Jay McShann's autumnal "Yardbird Waltz" is gentle and sentimental without sacrificing a firm sense of direction, and perfectly captures McShann's indelible combination of melancholy and optimism. The album's lone original, "Titine Blues" is similarly mellow, almost a ballad, and Patigny imbues it with the same wisdom, strength, and tenderness. |
2002 |
| BOOGIE BROTHERS LIVE (with Carl Sonny LEYLAND) |
| Renaud became a permanent feature at the spring Jazz Jette festival. Here he's in the '99 edition playing in duo with Doctor GABS. | ![]() Renaud Patigny & Doctor Gabs |
| FROM THE CHICAGO TRIBUNE, DECEMBER 6, 2001 Patigny showed a degree of expertise on the subject that few American jazz pianists likely could have matched. |
Renaud has his own website at http://www.88boogie.com

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